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    Home » Secondary roles and radio songs in the cinema of Atef Al-Tayeb.. Lessons in the genius of directing

    Secondary roles and radio songs in the cinema of Atef Al-Tayeb.. Lessons in the genius of directing

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    By umer shafi on June 23, 2021 Art

    Cairo – Director Atef El-Tayeb gave the actors of secondary roles their right to succeed, and did not neglect the sound effects, as small details are the main pillar and the secret of the successful blend that characterized El-Tayeb’s films, which managed to achieve both critical and public success.

    Today, June 23, is the 26th anniversary of his death, as he died in 1995 by an unintended medical error after refusing to travel for treatment in Germany, and he passed away before the presentation of his latest film, “Al-Jabr Al-Khawatir”, which he had not finished yet, leaving a cinematic legacy that made him one One of the most important directors of Egyptian cinema, despite his short artistic career, which spanned 16 years, since he directed his first movie, “The Bus Driver” and other films in which he worked as an assistant director at the end of the sixties. Read also “Sheikh Ramzy” is a candidate to sweep the Ramadan race… How did Tariq Lutfi prepare for him? On the anniversary of the departure of an “important man” .. Ahmed Zaki risked his life for realism Warriors, philosophers and visionaries… Schools of realism in the cinema of the eighties He caused an uproar after the series “The Community” .. The departure of the Egyptian writer Waheed Hamed at the age of 77

    In

    his films, El-Tayeb’s name is associated with an interest in issues that concern the marginalized Egyptian citizen who suffers from the oppression of the circumstances surrounding him.

    Equal acting performance

    El-Tayeb’s films reflected a special and different situation that also carried a lot of fun and creativity. He managed in the details, the most important of which was acting. His bet was always on the actor who could benefit from his acting abilities. The main protagonists of the action, however limited the appearance of these characters to a few scenes.

    In addition to the move that was achieved by the artist Nour El Sherif by presenting the character of Hassan, who works as a driver in “Bus Driver” 1982 with Al-Tayeb in his first film directed by him, the film was able to present influential secondary characters in the events such as Awni (Hassan Hosni), who got his chance in Presenting an influential secondary character after years of marginal characters, but “Awni” showed his acting abilities through the corrupt who came to work in the workshop and he has nothing to gain in dishonest ways.

    Awni is not the only influential figure in the events, so also the choice of the victor by God in the character of “Maher”, the cousin of Mervat or the wife of the hero, who rejected him in order to marry Hassan, and after Maher’s return from the Gulf, he tries to lure her with the money he made, in addition to the few scenes of Haj Sultan, the owner of the workshop Which forced Al-Tayeb to assign the role to Imad Hamdi to match the strength and influence of the character driving the events during the film.

    The secondary characters are the protagonists of the events

    The character of “Dandrawi” in the movie “Al-Badron”, which was embodied by the artist Jalal Al-Sharqawi, is also considered one of the prominent figures in the work. Qaisoun presented by the artist Hassan Hosni, who also mastered the presentation of Officer Fahim in “The Innocent”.

    In the movie “The Escape”, Atef Al-Tayeb presented many names in distinguished personalities, including the artist Salah Abdullah, who presented the character of the counterfeiter, Mahmoud Al-Bazawi and Ahmed Adam or the journalist. Including the artist Abdullah Musharraf in the character “Omran”, and then presented with Al-Tayeb the character of Faraj Al-Akta in the movie “Execution Brigade”.

    Atef Al-Tayeb’s films were not without the opportunities he gave to the actors, which was also evident in the movie “Love on the Pyramid Plateau”, which was a space to show the talent of the artist Najah Al-Muji, Aisha Al-Kilani, Ali Al-Sharif and Hanan Suleiman, while the movie “The World on the Wing of a Dove” was an opportunity Actors: Mohamed Al-Shuaihi and Osman Abdel Moneim.

    sound effects

    The sound effects are also among the distinctive elements that Al-Tayeb did not overlook in his films. Rather, he was keen to be a strong element that adds to the scene. The voice of the Qur’an Al-Fajr in the voice of Sheikh Muhammad Refaat accompanies the hero on his daily journey, which begins at four in the morning before he goes to work as a bus driver ( bus).

    And the song “Weyak” with the voice of Farid al-Atrash, who expressed the hero’s feelings towards his wife, “Mervat”, who was embarrassed by his appearance as a driver in front of her classmates, and his tense relationship with his wife was expressed in the song of Abdel Halim Hafez, in which he says, “The world is after you once.”

    As well as using the sound of the news bulletin in the movie “Love on the Pyramid Hill” in the scene of the hero’s sister Ahmed Zaki objecting to what she read about the government and the opposition in the newspaper, and choosing Umm Kulthum’s song “You are my life” in a scene to convince the hero to marry a woman older than him after he He left his fiancée Rajaa or traces of al-Hakim, and the scene of the hero’s bathing as if he was purifying himself of his mistakes in the voice of Sheikh Muhammad Metwally al-Sha’ari’s lesson.

    Al-Tayeb also used the song “The Evening is Sweet” by Medhat Saleh, accompanying the scene of the heroine Mervat Amin in the movie “The World on the Wing of a Dove” to express the feelings of her return to the homeland after years of exile, and some advertisements also sounded in the scenes to express the time period associated with the film, models during which Atef used Al-Tayeb has sound effects to be one of the heroes of the scenes he presented in his films

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